Blogger on the Roof

Luke and Melanie with flower-girl Lulu (Photo credit: Mother of the Groom)

Well, the previously undisclosed location was Greenville, South Carolina, and the significant event was the wedding of Melanie Allison Dean to Luke Owles Fleming on July 31, 2010. The pseudo-mystery was an indulgence granted to the groom by his bloguiste father. When I touched upon this blessed event in an earlier blog posting the nervous groom became a little skittish. As an anthropologist he was aware of numerous cultures in which such a blatant advertisement of future happiness might be considered rash; and without quite invoking the concept of taboo, he preferred that I exercise discretion. But now that the happiness is no longer potential and prospective but actual and operative, let me shout, or even fiddle it from the cybernetic rooftop.

The bride and groom are two of the finest and, in every sense of the word, the most beautiful young people I have been honored to know in a long career spent among fine young people; and that’s a judgment that can survive an obligatory parental-pride reduction of fifty percent. I can mention one quite objective criterion, and that is the quality of their close friends in attendance. Many of them were fellow Ph.D’s in anthropology or South Asian Studies. All of them were alert, morally engaged, fascinating conversationalists. If you spend a certain amount of time worrying about the Decline of Practically Everything, as I tend to do, a weekend spent among some of America’s finest youth is a salutary tonic!

I had last been in Greenville in 1952. Needless to say a lot has changed. A slightly seedy mill town in decline has been transformed by civic imagination and a spectacular architectural intervention into a very happening downtown. It centers upon the waterfalls of the Reedy River, anciently used as a source of mill power, around which a nearly perfect mix of green space and tasteful commercial development offers a variety of attractions from the cultural to the gastronomic. And speaking of the gastronomic Rita and Phil Dean, parents of the bride, regaled us with a seemingly endless sequence of Southern feasts. I had a good hint of what was in store when I opened my gift bag at the hotel. Prominent among the goodies were a bottle of RC Cola and a Moon Pie. There were other distinctive touches, such as

THE HAT

The actual ceremony took place on the large stone terrace behind the old Falls Cottage. From that prospect one looks down upon the greensward below. While we were there that view included the temporary stage set for an open-air production of The Merry Wives of Windsor! I recalled, imperfectly, one of the final speeches of the play:
In love, the heavens themselves do guide the state...
And, thank Heaven, the heavens guide also the heavens. The weather was hot and steamy—I mentioned perhaps the venue, South Carolina?—but the faint menace of rain, which gave us a moment or two of anxiety earlier in the day, receded the moment the minister marched in with the groom.

A view of Falls Cottage, site of the wedding, from below

I suppose I owe it to my faithful readers to make a few remarks more general in nature than gloating about my son and wonderful new daughter-in-law. There would be a good deal to say. The Greenville County Museum has several splendid collections, including a large gallery full of Wyeths and several devoted to southern art. Timing problems kept us from seeing the extensive collection of Old Masters at Bob Jones University, though we did manage a visit to a smaller satellite housing an impressive cameo sampling of their holdings. I could touch upon other topics of significance, but allow me to make a beeline for the peripheral, as is my wont. I can report that Upcountry South Carolina is conspicuous for its high rate of tattooed females. This fact, obvious from even a stroll in the public streets, was confirmed by my visit to the Otter Creek Water Park, where the bathing attire allowed for more complete appreciation. The pictorial quality of the body art varies, as does the sophistication of the iconography. Melanie herself sports a beautifully understated dragonfly on her shoulder, much to be preferred to either the Death’s Head or Cross-in-Crown alternatives on view at Otter Creek. I have long been interested in the relationship between text and image in medieval manuscripts. I therefore noted with particular interest that many of the tattooed limbs and torsos were textual as well as pictorial, with the onomatological motiv prominent.

Bloody old Queen Mary, grieving over the loss of the last British possession on the Continent, claimed that when she died an autopsy would reveal the word “Calais” written on her heart. Of the names written upon the Carolinian ladies’ hearts (or nearby) I was able to make a rough-and-ready calculation:

Name of bearer: 21%
Name of boyfriend/husband of bearer: 34%
Name of Son of God and Savior of the World: 41%
Too cryptic to guess: 4%

Name of French town: 0%

Our visit to Greenville also leads me to meditate upon the Bliss Gap in western art. Why is nasty usually more interesting than nice? How can it be that most readers regard Satan as the most appealing character in Paradise Lost? Why does the tragic sense of life so frequently trump the comic? I remember the terror that struck my heart when I first came upon a remarkable image in Beowulf, in which the poet presents as the ne plus ultra of misery the circumstance of an old man forced to view the execution of his son. This cannot have been common even in brutal Old Germanic society, and it struck me as gratuitously grotesque as well as horrible.

Swa bið geomorlic gomelum ceorle
to gebidanne, þæt his byre ride
giong on galgan, þonne he gyd wrece,
sarigne sang, þonne his sunu hangað
hrefne to hroðre, ond he him helpe ne mæg,
eald ond infrod, ænige gefremman.

[In such fashion is it wretched for an old man to see his young son “ride” the gallows. Then he utters a sorrowing song, when his son hangs as a morsel for the ravens while he himself, ancient, stricken in years, can offer no help.]

But I was in my early twenties, unmarried, inexperienced—quite the opposite of eald ond infrod. My reaction was actually rather shallow. Oscar Wilde quipped that youth is too good a thing to waste on the young. I sometimes feel the same way about literature. I have spent my life in the probably vain attempt to teach Hamlet to adolescents. How can one know what is tragedy until one has oneself ingested some small portion of it?

Fortunately, there are also joys that can be savored to the full only by those who have spent many years preparing for them unawares. The parents who stand in attendance at the wedding of their beloved youngest child to a lovely, brilliant young woman, and hear the fervor in their voices as they unite themselves to each other, for richer, for poorer, in sickness and in health—these parents experience a joy I have found adequately described nowhere even in our greatest literature. The newlyweds are now in some vegetarian paradise for bird-watchers in Costa Rica, but while I was writing I was interrupted by the door-bell. A florist arrived with a bright bouquet. An accompanying note identified it as a token of thanks for our help with the wedding. Never has a gift been more pleasing or more superfluous. May the Lord bless you and keep you, Luke and and Melanie. May he lift up the light of his countenance upon you.

Sophia and her Abba Zvi, with marginalized Uncle Rich, get serious on the dance floor

From Bundren to Bodoni and Back

The French revolutionaries found it easier to overthrow the political arrangements of the Old Regime than to transform by legislative decree the old rhythms of life. From time immemorial they had been linked to the liturgical cycle of Christian experience. To change that would require a new calendar. They made one, and it had the virtues one would expect from a document composed by a committee of the Enlightened: logic, tidiness, coherence. The orderly decade trounced the mystical heptad. There would be twelve months of awesome regularity, each with three weeks of ten days each. The committee chucked out the old names of the months—admittedly a rather incoherent hodge-podge—and replaced them with a rational system of dull meterological and agricultural stereotypes. So you got Winey Month, then Foggy, Frosty, Snowy, Rainy, Windy, etc. As the earth’s revolutions around the sun did not perfectly coincide with the mathematics of the revolutionaries, there were five days left over for secular festivities of an uplifting and politically correct sort. Today would I think be Septidi, the 17 Germinal (Seedy) of the year CCXVIII. Except that fortunately Napoleon made a deal with the Pope about the year XII; and they decided to return to the Christian calendar, which had the advantage of relating not merely to the seasons of the year but to the seasons of human life, and to spiritual and mythic as well as meteorological and agrarian experience.

Last week, Holy Week, for those who enter it imaginatively a kind of calendrical roller-coaster, culminating this year in one of the most beautiful Easter Sundays in my memory, has put me to thinking about times and seasons and cycles. So has another circumstance, which will eventually become the subject of this blog. That might be defined as the special contours of love among family members. To be a little more specific, the subject will be our parental joy at the approaching marriage of our younger son Luke and his wonderful fiancée Melanie.

Luke and Melanie

Half a dozen extraordinary books read in my teen years were enough to encourage me to contemplate a life devoted to the study of literature. Among the American writers I knew, I thought Faulkner was the greatest. He was then still alive, still writing, still living just across the river from my own state.

His first book to hook me was As I Lay Dying. I didn’t exactly understand it. I felt better much later, after years of professordom, when I came to realize that nobody else exactly understands it either. But I knew it was great. As I Lay Dying is about a seriously Faulknerian outfit called the Bundrens. The Bundren who lies dying is Addie, the mother. Insofar as there is a plot, it is the story of her death and the grotesque and heroic effort of her children to cart her body by wagon to a town named Jefferson for burial. The oldest child, a man named Cash, is an expert carpenter. The reader hears him before meeting him. The first sound recorded on the first page is the rasp of sawing, then the “Chuck. Chuck. Chuck. of the adze.” Cash is constructing a coffin for his dying mother, as she listens from her sickbed.

There are times, perhaps, when true depth of love can be best expressed through the medium of careful craftsmanship. Cash Bundren had a Good Friday task. Thank God there are also Easter ones. For Luke and Melanie had asked me to print their wedding invitations—a task I completed yesterday.

As they lay drying...

I have been an amateur letterpress printer for forty years, though precious little has come off the presses recently. Luke and I have had a few joint printing projects in our time, but I wasn’t sure that I’d be able to find the most important printing I had ever done for him. It took a fair amount of rummaging around in half-forgotten files of child-memorabilia. One advantage of such rummaging, perhaps the only advantage, is that one uncovers stuff one didn’t know existed. In this instance, I uncovered quite a cache of Luke’s artwork. He was, and is, a talented artist, as is obvious in this miraculously preserved piece from his affreuse period. The exact date is uncertain, but most art historians place it in the second term of the Reagan presidency.

C.L.O. Fleming (1979- ) untitled Mother's Day Card--affreuse period

At last I did find what I was looking for—to wit, the announcement I had printed in 1979, to share our parental joy with friends and relations throughout the world. Joan and I wanted to name him Christopher—hence the technicality of the birth certificate and the iconography of the birth announcement—but we had already been told in no uncertain terms by his sister that she had no intention of honoring any “sissy” names like Christopher. (You know, as in Columbus, Marlowe, and other sissies of that ilk.)

Does he look like a "sissy" to you?...

I had set the birth announcement in the beautiful, large, fresh fourteen-point Bodoni I had acquired for the printing of the Latin texts in Two Poems Attributed to Joachim of Fiore. I clearly remember the look and feel of the pristine types in their cases. I can also remember, though barely, that thirty years ago I could without difficulty or magnifying glass set the six-point type of the psalm text! That old Bodoni type, considerably reduced by service in several book runs, and even at the cost of tolerating a dinged letter or two, I simply had to use for the wedding invitations!

There are a few passages in the Bible that might be called “Bible Passages for People Who Haven't Actually Read the Bible.” Perhaps the most famous of these is the third chapter of Ecclesiastes: “To every thing there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die, a time to plant, and a time to pluck up that which is planted…a time to weep, and a time to laugh; a time to mourn, and a time to dance…a time to love…” Well, this is indeed the time for love. I love you. That's why I gave you this.

I placed the finished text of the invitation cards out on the dining table to dry for a few moments—it doesn’t take long—and returned to the press to work on the much easier task of the envelopes. With each revolution the old Chandler and Price makes a distinctive, rhythmic sound. I would be hard pressed to give it graphic representation—but “Chuck…chuck…chuck” is at least in the ballpark. So as the sheets lay drying, I thought of As I Lay Dying, and of times and seasons and cycles, and of the great wonder and mystery of it all.