Showing posts with label Hardy (Thomas). Show all posts
Showing posts with label Hardy (Thomas). Show all posts

Wednesday, February 6, 2019

Pro-Ambivalence


As I write this, the Governor of Virginia, Ralph Northam,  is struggling to keep his job as his own top political party leaders, backed by a vast army of bien pensants with Twitter accounts, are demanding his resignation from office.  His alleged offense, no small one even when it was committed some decades ago, was to engage in some stupid high jinks now regarded as so hateful to God and man as to render their perpetrator unfit for elective public office, utterly and in perpetuity.  I am not a Virginian, and until recently I could not have recognized this man’s name if it were on a multiple-choice quiz.  Nor did I ever suppose that medical students assemble yearbooks, let alone ones that would embarrass your average Alabama high school.  Yet as it happens, by the time the story of the appalling photograph was surfacing, I had actually seen Gov. Northam in a television clip responding to questions about an abortion rights bill under consideration by the State Legislature.  He was saying that he approved of the measure, and that it would indeed allow, under certain circumstances, infanticide.  He didn’t use that word, and I don’t think he actually meant what he did say.  I doubt that he actually accepts the necessity of infanticide.  But that is what he said, and the only likely reason he said it was that he wanted to demonstrate his progressive bona fides to his party allies.   Not that I believe that infanticide is progressive or that people who call themselves progressives generally do either.  But the two episodes—abortion interview and the flap about the photograph—are not unrelated.  It now appears that Northam was “outed” with regard to the now infamous photograph by somebody outraged by his extraordinary remarks about the abortion bill.

Ordinarily I would avoid such a dispiriting subject as the abortion question.   It is a topic that invites passion and outrage and nearly guarantees the exacerbation of ill will with only the slimmest chance of advancing comity and ethical clarification.  It will continue to do so as long as we continue to act as though “Pro Life” and “Pro Choice” are not inadequate slogans but definitive adversarial categories like skins and shirts or Guelfs and Ghibellines, tribes or teams to one of which each of us gives our unqualified support.  There actually is an American consensus on the issue, but one unsatisfying to the righteous appetite for certainty.  Most Americans are “against” abortion.  Most Americans are “against” the criminalization of abortion.  This means that most Americans are ambivalent about an issue concerning which strident voices are demanding certainty.

What is progressive in the development of civilization is the abandonment of barbarity, not its continuity.  Some brutal practices of Antiquity are rarely remembered, but they do show up in myth, legend, and literary texts.  The motives for infanticide were many, but their common denominator was the social or economic inconvenience or potential long-term military or political threat posed by the child to living adults.  The “exposure” of unwanted infants—dumping them to die in some desolate place—was not uncommon in the Greco-Roman world.  You don’t come to be raised by wolves, even if you are Romulus and Remus, under ordinary circumstances.  The voice of the Hebrew exile in the beautiful psalm Super flumina anticipates with pleasure the prospect of dashing the skulls of Edomite children against the stone walls of the city.  C’est la guerre.  In medieval penitential texts there is frequent mention of something called “overlying”.  In peasant households several people might sleep in the same bed.  Babies were not infrequently stifled in the night, asphyxiated by the weight of heavy adult bodies, leaving moralists suspicious that many such mishaps were not in fact accidents at all, but acts of postnatal birth control.  Unless we wish to imagine widespread depravity, and deny any natural bond of love between parent and child, such episodes were evidences of a terrible desperation.           

In fact our literature, which is after all supposedly an “imitation of life,” has been on the whole perhaps more truly enlightening than street demonstrations and counter-demonstrations.  Among modern writers few are grimmer than Hardy, and Hardy’s grimmest moment is probably in Jude the Obscure, in which a child, believing that his father’s life chances have been blasted by his need to support a family, murders his two junior siblings and hangs himself, leaving the chilling note: “Done because we are too many”.  It is impossible to absorb the horror of the deed without considering the horror of its motivation.  Hardy was not the first to believe in a malign biological trap in which the sexual instinct was and forever would be a generator of tragedy for large swaths of the human race.  Dreiser actually put that word in the title of one of the great novels of the last century, An American Tragedy, closely based, of course, on a “real life” criminal case.  One of my recent posts concerned Farrell’s Studs Lonigan.  In it the “biological trap” is but one factor in a world that seems expressly designed for the destruction of its pathetic anti-hero.  But surely you don’t need to “shout your abortion” or acquiesce, as Governor Northam did, in the idea of “abortion” on the delivery table to avoid returning to that world.

Tuesday, June 14, 2011

Thomas Hardy vs. the Indeterminate Sentence


I am told that in penological circles no topic is more hotly debated today than that of the indeterminate sentence. Some bad man does some bad thing, and a Judge says: “That’ll be three to seventeen years [or whatever] in the Allegheny Work House [or wherever].” The indeterminacy is supposed to be an encouragement to the felon, so that he might deport himself in such a way as to be more consistent with the smaller rather than the larger number. Of course determinacy might also be an encouragement. In the middle of the eighteenth century a naval court martial condemned Admiral John Byng to death for his supposed cowardice or incompetence at a battle in the Balearic Islands. There were extenuating circumstances, but Voltaire wryly remarked that now and again the British felt they had to hang an admiral in order to encourage the others.

But I must not digress. This post is about indeterminate sentences, and I am against them. That is, Thomas Hardy and I are against them. There is an experience that most readers surely have shared while walking through some populated place, or when crossing with pedestrians walking in the opposite direction. One catches what we call a “snatch” of conversation. Overheard cell phone conversations are also good for this purpose. Sometimes one hears things so extraordinary as to pose a challenge to the imagination. What possible context might lend them coherence?

Once on a street in Rye, Sussex, I encountered two elegant gentlemen, one of whom said to the other: “Was it ormolu? I mean, actually ormolu?” That is all I heard. Here the indeterminacy is fathered by the word “actually”. It is weird enough that anything might be ormolu, but that one would have to attest to its actually being ormolu is just too much. How many things out there are just pretending to be ormolu? Another dilly once overheard was this: “…only solution—get a divorce, or fire the Chinese cook”. I leave that one up to you.
Is it....actually?

Of course a “snatch” of conversation is by definition fragmentary. A sentence is by definition “the expression of a complete thought.” Yet more and more of the prose I encounter in my daily rounds, though ostensibly written in complete sentences, seems strangely indeterminate. Often the problem is one form or another of SDS (the Syntactic Derangement Syndrome), which is now pandemic in editorial offices on both sides of the Altantic. The copybook example of SDS is probably known to you: “Abraham Lincoln wrote the Gettysburg Address while riding to Gettysburg on the back of an envelope”. A clever diagnostician will identify the problem here easily enough, and call in the word-surgeons. Abraham Lincoln wrote the Gettysburg Address while traveling to Gettysburg on the back of an envelope….Just kidding.

More often, however, the level of incoherence is more comprehensive and hence more baffling. I am usually up and about quite early, some considerable time before the brightening of the eastern sky or the arrival of the New York Times on the carport driveway. At such hours, in my continuing quest for self-improvement, I visit websites claiming to offer news, sometimes even the “latest news”. For the past two or three days I have intentionally avoided American sites, having reached saturation point so far as congressional undergarments are concerned. So this morning I went first to the BBC page. Was I any better off? You be the judge.

The story that greeted me there was summarized in the following sentence: “On Monday, Mr MacMaster, originally from the US state of Georgia but now a student at the University of Edinburgh, said he was sorry for posing as a Syrian lesbian”. What interests me is less the story itself, engaging though it be, than the puzzle presented by the sentence. There is no way to tell what, amidst all the information seemingly contained, the author considers important. Is it Mr. MacMaster’s contrition or his Cracker origins? Would he be equally sorry for posing as a Sudanese lesbian? How about a Syrian bricklayer? Is Monday as significant as its rhetorically emphatic position might suggest?

By chance I happen just now to be reading The Mayor of Casterbridge (1886) by Thomas Hardy. Further by chance its opening sentence is superficially similar in its construction to that cited from the BBC news summary. “One evening of late summer, before the nineteenth century had reached one-third of its span, a young man and woman, the latter carrying a child, were approaching the large village of Weydon-Priors, in upper Wessex, on foot.” The big difference is that Thomas Hardy knew how to write a consequential sentence. A reader just knows that every clause in that sentence is stress-bearing. The reader probably also suspects, since it is Hardy, that the child will be dead in no time at all, and the woman soon enough, leaving the man to arrive at his miserable end with Victorian leisure. But Hardy’s is a sentence that makes you want to turn the page, not to send the writer off to writer’s camp for three to seventeen weeks.
 Their fates will be cruel, but ever so well written