Watch out, Geoff. I've got my eye on you.
If I declare our visit to the Camões Conference at Harvard a great success—and I do—the credit for our personal comfort goes primarily to Leah and Brian, our generous hosts, who with what appeared to be ease balanced busy professional careers and the demands of two adorable children with the care and feeding of a couple of octogenarians. On the academic side, on the Harvard campus, the treatment was likewise most welcoming, and the intellectual feast quite rich. Many of the principal scholars in this field, including the Portuguese ones, were there; others made presentations via Zoom. Rita Marnoto came from the University of Coimbra, the ancient academy at which Camões himself must have acquired some large part of his enormous erudition. It is rather as though Davy Crocket had picked up a Yale doctorate on his way to the Alamo. She gave the introductory talk, a bibliographical tour de force concerning the poem’s first edition(s) of 1572. Around the edges there were pleasant group meals full of friendly and informative talk; Joan sneaked off for half a day at the Isabella Stewart Gardner Museum and offered a report on some of the marvels viewed.
My belief concerning the European Renaissance, a belief by no means widely accepted by my colleagues, is that in most essentials it continued in the philosophical and theological traces of high medieval culture. Historians are more interested in change than in stasis, and there of course appeared in the sixteenth century major stylistic changes and intellectual innovations for us to talk about. My talk, indeed, in part concerned possible “medieval” relationships between Camões and Dante. Such relevance as the digressive comments about the Middle Ages in this paragraph might possibly have concern my welcome of two unexpected fourteenth-century Chaucerian interventions into our sixteenth-century Camonian event.
At the Houghton Library, where some of Harvard’s fabulous bibliographic treasures are stored, experts had mounted a small collection of first and other editions of the Lusiads. The Harvard library is among the richest in the world in this as in so many other subjects. But there is hanging in an elegant room not far from the exhibition space what is probably the most famous, and possibly authentic , portrait of Geoffrey Chaucer. I had seen a hundred reproductions of it, but never it. The Librarian of the Houghton, knowing that I had taught Chaucer for many years, took me aside for an unscheduled private viewing. It was a very memorable kindness.
The Houghton Rare Book Library, Harvard UniversityA second way the Middle Ages
intruded into our very Renaissance conference was via the front page of the New
York Times, which reported that two major Chaucer experts had discovered new
evidence concerning a mysterious episode in the poet’s life. Though Chaucer’s life records, when
sufficiently spread out and annotated, occupy a pretty thick book, there is a
great deal we do not know about him, including practically anything that might
shed light upon his “personality”. One
intriguing document, however, has garnered a great deal of attention and much
speculation. It is a legal affidavit
attesting that a woman named Cecily Champagne absolves Chaucer of any charge of
raptus against him. This document
has sometimes been used by feminist scholars and others to impute
patriarchalism, misogyny, and other unpleasant medieval attitudes to the father
of English poetry. What is new in the
Chaucer scholars’ discovery is that Cecily and Geoffrey were allied in a legal
action denying the charge. Any scrap of
evidence about Chaucer is a major discovery, and the discoverers of this one merit high praise. But there is no particular
illumination of Chaucer’s character in it. Anybody with access to the Du Cange
dictionary of medieval Latin would know that it is quite unlikely that raptus
in the context of the original document means forcible sexual possession. Hardly more likely does it mean that he secretly
married her. No form of “kidnapping” or
“false imprisonment” or other coercion is likely. Secondly, and without the slightest
ambiguity, what the document says is that Chaucer did not commit raptus, whatever raptus
means. Only in places like Park Slope
has inveigling away somebody’s cleaning lady with an offer she cannot refuse risen
to the level of a crime. Somewhat
strangely, one of the discoverers of the supplementary document was quick to
add that nothing in this episode undermines certain previous scholarship
concerning it. This is a little like
saying that nothing in Copernicus undermines anything in Ptolemy. That is one of the current stylistic differences
between scholarship in the humanities and scholarship in the natural sciences
in America. The study of past ages can
be very rewarding and indeed instructive.
But the past is a series of unique ages, each with its own inherited
cultural patterns each with at least some cultural innovations. It cannot be true that “to understand
everything is to pardon everything.” Still
it does little to divvy up the past into convenient but inadequate categories
for flagellation among our own current moral and political certainties, many of which would seem novel if even comprehensible to our not too distant ancestors.
Traveling by train worked out very
well. It took about five hours. Flying would not have required less, though
it would have involved a great deal more difficult walking and the general
hassle of security lines. There are far
worse fates than to sit in a comfortable, roomy seat with a good book for a few
hours.
Still I was once again struck, as I
so often am, by the disparities between the private and the public in our
country. Everything I saw on the Harvard
campus was elegant, functional, imposing, inviting. It was clean.
It was tidy. You might never
guess that the institution’s endowment is less than sixty billion dollars. Boston South rail station, where we arrived
and whence we departed, is a civic disgrace.
The area from which the trains arrive and from which they depart has the
air of a long-abandoned steel mill. The
vibe of the interior waiting room, where I was able to buy a pint bottle of
soda water for $3.84, is decayed inelegance.
And though the Amtrak train did get us to Trenton, and on time… How are
you going to keep them down on the farm, after they’ve seen Paree? The distance between Marseilles and Paris is
greater than that from Trenton to Boston.
The TGV (very fast train) covers the distance in three hours and
twenty-seven minutes, and you can safely place your bottle of soda water on the little-fold down table without fear that it will be bounced into your lap within the first quarter mile. Of course my
weekend thoughts were full of other cities: Lisbon on the Tagus River, and
others I shall never see, Mombasa, Malinde, Goa. Forget the train stations for the moment. In this country I have actually been paid good money to read, teach, love, talk, and argue about old books that I love with a never-failing succession of inspiring young people. And hang out at Camões conferences for down time. What a privilege. What an honor!
I'm so happy to hear that you were able to see the Chaucer portrait at the Houghton while you were at Harvard for the conference! And I completely agree with you regarding the new document that has been discovered about Chaucer. I have always been very careful when teaching about the earlier "raptus" document not to jump to conclusions--unlike some scholars in recent years. I am sympathetic to feminism and feminist scholarship, but like Jill Mann, I do not think that being a feminist means that I must always assume the worst of anyone, male or female.
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