We had an
excellent though more than usually exhausting Easter Festival. The beautiful, protracted Vigil service began
in the dark of night and ended with dawn fully broken on a day that would prove
so hot and sunny that we actually had to make recourse to the air conditioning
for the first time this year. Soon after
a delicious breakfast of crêpes prepared
by daughter-in-law Melanie we unleashed the two littlest ones into the back
garden is search of the sixty eggs—a third of which were real eggs--that I had “hidden” while their backs were turned. The ‘teenagers have miraculously transformed
from egg-hunters to child-watchers.
There is no joy more genuine than that of a young child discovering a
puce plastic ovoid resting in a hammock.
The day held all the pleasures and awkward moments of large,
multi-generational family gatherings attended by people of differing but definite
opinions, and we fell into bed happy but dead tired.
In the
midst of this I had effectively suppressed all niggling thoughts of the
imminence of blog day--given it not a thought.
I therefore was inclined to regard it as divine intervention when on
Monday I was surprised in my electronic in-box by a message from a fellow medievalist and occasional correspondent,
Manu Radhakrishnan, recently of Princeton and now a research fellow at the
Austrian Institute for Medieval Research, including an interesting poem and an
interesting suggestion concerning it.
The poem, by the well-known American Cistercian monk Thomas Merton
(1915-1968) is entitled “Origen”*; the surprising suggestion was that I might
write a blog essay about it. I don’t
know all that much about Origen, an early Church father (first half of the
third century). I know maybe a little
more about Thomas Merton, though not enough ever to have read this poem before. But I have enough sense to attend to oracles.
Thomas Merton, monk and poet
Origen, an
Alexandrian intellectual, ascetic, and theologian, was a brilliant and original thinker. His first enemies, the Egyptian monks, were on
the whole a know-nothing bunch, heroic in their abstemiousness but innocent of
liberal thought. Origen was not merely
philosophical. He was an actual
philosopher who for a time hung out with other philosophers. This shocked some of the monks. He also had an infinitely optimistic view of
the Creator and Redeemer of the world, and hoped that in time a love that was
infinite would empty hell. That was a
huge theological no-no. In the century
after his death, then at various intervals throughout the Middle Ages,
small-minded men repeatedly convicted him of heresy—heresy being, in Fleming’s
definition, “the side that loses”.
Thomas
Merton, though a monk of the strict Cistercian observance, was mentally more
akin to Origen than to Saint Simon Stylites.
His poem is a theological appreciation of the man’s genius, and a
selective history of the Church’s repeated but happily failed attempts to rid
itself of him. Most of the poet’s
references would require elaborate footnotes to clarify, but one of them may
already be familiar. Merton speaks of
Origen’s “heroic mistake—the wild operation”, an episode that captured the
imagination of medieval readers, and rather staggers that of the modern
undergraduate. In the nineteenth chapter
of the gospel of Matthew Jesus offers some tough advice to a would-be disciple
seeking moral perfection: sell everything you have, and give the proceeds to
the poor. His advice concerning sex was
even more unsettling than that about material possessions. “There are those…who have made of themselves
eunuchs for the Kingdom of God’s sake.
Let him who can accept it, accept it.”
Origen, who wanted to minister to some nuns without falling into
dangerous temptation, accepted it. He
was a great allegorist, but here he slipped painfully into literalism.
self-making of a eunuch (Comme Origenes se osta les genitoires)
Though the
self-righteous did their best over the centuries to cleanse the world of
Origen’s writings, their best was not very good. I have in my library a small format edition
of his surviving works in twenty-five
volumes (Berlin, 1831-1848). He
wrote in Greek, of course, but many of his works survive only in their early
Latin translations. The particular
interest of these volumes to me is that they once were the property of Hastings
Rashdall (1858-1924), author of the magisterial Universities of Europe in the Middle Ages (1895), one of the great
and enduring works of Victorian historical scholarship. Bookplates record his donation of them to Ripon
Hall, a major theological seminary. I
bought them for a song, or at most an oratorio, from a second-hand dealer. Rashdall was a great expert on Greek
philosophy, and a liberal Anglican theologian and social thinker of
considerable influence in his time. You
can see why Origen would have been his man.
I cannot pretend to have worked my way through the vast edition of
Origen, but Rashdall himself pretty clearly did so. Nearly every page has one or two pencil
underlinings, and the narrow margins are crowded with tiny, tidy pencil notes of
explication, appreciation, dissent, or philological inquiry—all reminders to
the modern scholar that there were once giants in the earth of Academe, giants
like Origen and Rashdall.
*“Origen”, by Thomas
Merton (text courtesy of Dr. Manu
Radhakrishnan)
His sin
was to speak first
Among mutes. Learning
Was heresy. A great Abbot
Flung his books in the Nile.
Philosophy destroyed him.
Yet when the smoke of fallen cities
Drifted over the Roman sea
From Gaul to Sicily, Rufinus
Awake in his Italian room
Lit this mad lighthouse, beatus
Ignis amoris, for the whole West.
Among mutes. Learning
Was heresy. A great Abbot
Flung his books in the Nile.
Philosophy destroyed him.
Yet when the smoke of fallen cities
Drifted over the Roman sea
From Gaul to Sicily, Rufinus
Awake in his Italian room
Lit this mad lighthouse, beatus
Ignis amoris, for the whole West.
All who
admired him gave him names
Of gems or metals:-- “Adamant.” Jerome
Said his guts were brass;
But having started with this pretty
Word he changed, another time,
To Hatred.
And the Greeks destroyed their jewel
For “Frightful blasphemy”
Since he had said hell-fire
Would at last go out,
And all the damned repent.
Of gems or metals:-- “Adamant.” Jerome
Said his guts were brass;
But having started with this pretty
Word he changed, another time,
To Hatred.
And the Greeks destroyed their jewel
For “Frightful blasphemy”
Since he had said hell-fire
Would at last go out,
And all the damned repent.
(Whores,
heretics,” said Bede,
Otherwise a gentle thinker.
“All the crowd of the wicked,
Even the devil with his regiments
Go free in this detestable opinion.”)
Otherwise a gentle thinker.
“All the crowd of the wicked,
Even the devil with his regiments
Go free in this detestable opinion.”)
To the
same hell was Origen then sent
By various pontiffs
To try the truth of his own doctrine.
Yet saints had visions of him
Saying he “did not suffer so much”:
He had “erred out of love.”
Mechtilde of Magdeburg knew him altogether pardoned
(Though this was still secret
The Curia not having been informed).
By various pontiffs
To try the truth of his own doctrine.
Yet saints had visions of him
Saying he “did not suffer so much”:
He had “erred out of love.”
Mechtilde of Magdeburg knew him altogether pardoned
(Though this was still secret
The Curia not having been informed).
As for
his heroic mistake—the wild operation
Though brusque, was admitted practical
Fornicationem efficacissime fugiens.
Though brusque, was admitted practical
Fornicationem efficacissime fugiens.
In the
end, the medieval West
Would not renounce him. All antagonists,
Bernards and Abelards together, met in this
One madness for the sweet poison
Of compassion in this man
Who thought he heard all beings
From stars to stones, angels to elements, alive
Crying for the Redeemer with a live grief.
Would not renounce him. All antagonists,
Bernards and Abelards together, met in this
One madness for the sweet poison
Of compassion in this man
Who thought he heard all beings
From stars to stones, angels to elements, alive
Crying for the Redeemer with a live grief.
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