
I have spent a good deal of my life reading books, a certain
amount more talking about books, and even a certain amount time writing
books. Books have even been, directly or
indirectly, an important subject in many of my blog posts. Today I turn my attention to the most widely printed,
translated, and distributed book in the world: the Bible. Although publication statistics are not
always the same as reading statistics, the Bible also is probably still the
most widely read book in the world—or at least read in. Because, of course, the Bible is not a single
book, but an anthology of books. The
word biblia is a plural noun meaning “the books.” In fact, there is considerable generic
differentiation among the biblical books, which date from different areas and
reveal the influence of the varying historical and cultural eras in which they
were written. There are various “through
lines” in the Bible, but it makes little sense to sit down and read through its
thousand plus pages as one might try to read through War and Peace. Large parts of the Hebrew Scriptures, or Old
Testament in the terminology of most Christians, are legal, ceremonial, and
genealogical compendiums that are pretty tough slogging. So the question arises: what is the most
widely read book in the Bible?
I think the
answer to that question, approached from
the historical point of view, must be the Book of Psalms. Anyway, that is the one I’m going with. The Psalms are, in the first place, a vital
bridge between Judaism and Christianity, as they continue to occupy a vital
role in both Jewish and Christian worship.
Some of the few words uttered by Jesus on the cross were psalm
verses. Paul likewise cites psalm
verses. Furthermore, the psalms have had
an enormous influence on world literature, most especially of course its
poetry. My own last book was devoted to
a magnificent poem by the Portuguese Renaissance poet Luis de Camões, often
entitled simply “Babylon and Zion,” that is a meditation upon, and exegesis of,
the psalm Super flumina Babylonis (“By the Waters of Babylon”), number
136 (137) in the psalter.*
In 1903 Rowland Prothero (the Lord
Ernle), a Conservative M.P. and first-class cricket player, published The
Psalms in Human Life. (Literate holders
of public office, though on the wane even in Britain, were once thick on the
ground.) This particularly invaluable
work of amateur Anglican scholarship I keep on a shelf beside a bilingual
edition of the Psalms in the Socino Bible series (1950), a copy that once
belonged to a congregant of the Etz Chaim synagogue in Flatbush, Brooklyn. (One of the pleasures of having a library
gradually constructed over many years, mainly from second hand and “bargain”
books, is that provided by tracking down the connections of former
owners.) As for the psalms, I have never
mastered the original Hebrew, but this translation is authoritative, and the
commentary of the editor, the nearly anonymous Dr. A. Cohen, is invaluable.
In the long
tradition of Christian biblical scholarship, the psalms have been assigned to
various categories. One important group
is called the penitential psalms, typified by the Miserere, “Have mercy
on me, o God” (50, 51), traditionally thought to be the anguished cry of David
as he reflected on what was in effect a homicide he had arranged to facilitate
adultery. But the group that has
attracted my attention this week is that of the imprecatory psalms. If you are familiar with any of the psalms at
all, chances are that it is the very reassuring “The Lord in my shepherd…” One doesn’t usually link the biblical spirit
with violent imprecations—that is, curses—but there are some doozies in the
psalter.
The
fifteenth-century French poet François Villon, whom I have mentioned a couple
of times in recent months, begins his most famous poem with an attack on Thibault
d’Aussigny, the bishop of Orleans, from whose dungeons he has just been
liberated--by nearly miraculous good luck.
(By ancient custom prisoners could be released on the occasion of a
royal visit to the city.) We do not know
how Villon came to be incarcerated by the Bishop of Orleans, but my default
suspicion is that it was for some very good reason. He was, after all, a murderer and a cat burglar
when not writing ballads. Villon’s poem,
of course, waxes indignant in its insistence that he was a victim of episcopal
injustice. He summarizes his poetic attack
somewhat obliquely by referring readers to “the seventh verse of the psalm Deus
laudem”. The psalm to which he
refers, a “psalm of David,” is Deus, laudem, meam ne tacueris…(O
God, whom I praise, be not silent…), number 108 in the medieval Latin
Bible. In it, the psalmist, ostensibly
King David, really unloads on his enemies, who “have opened wicked and
treacherous mouths against me.” If your idea
of David is a nice little boy with a slingshot, this psalm may shock you as
much as the behavior of its author. The
eighth verse is “May his days be few.
May another take his office [episcopatum].” But that is only the beginning of the
biblical invective. Here are just a few
clauses in the storehouse of Villon’s scriptural invective: May his children be
fatherless…May his children be roaming vagrants and become beggars…May the
usurer ensnare all his belongings…May there be no one to do him a kindness…Let
not his mother’s sin be blotted out…And
that is just a sampling! Villon probably had the whole of the psalter by
heart. The feats of memory that were
commonplace among the learned men of pre-Gutenberg times may seem to us
astonishing. Most “clerks” (i.e., educated people, including many women) had the
psalter by heart , and you would too if you had recited it in its entirety week
after week for years on end. And there
was within the book a poem precisely suitable for every mood and vagary of our
human life. Villon simply assumed that
alluding to the title of the psalm would do the trick for him.
I doubt
that even among professional medievalists one in a hundred has run across the
name of the once high and mighty Thibault d’Aussigny. But most educated people have at least heard
of the obscure university hanger-on, François Villon. The poets usually win. That is why Shelley calls poets “the
unacknowledged legislators of the world.”
*There are 150 psalms, but
there is a slight difference in the internal numeration in Catholic and
Protestant bibles. In earlier historical
periods psalms were often cited by their incipits (initial verses) in Latin, as
Villon does here. Thus the first psalm is called Beatus vir (“Blessed is
the man…”), and that practice continues among many medievalists.